It is an occasional tradition for me to post a geeky Christmas drawing on Christmas day. If I can get my act together. And this year I did.
I love that baby.
It is an occasional tradition for me to post a geeky Christmas drawing on Christmas day. If I can get my act together. And this year I did.
I love that baby.
I woke up to find my story Ten Secret Things You Don’t Know About Closet Monster was published on Daily Science Fiction. Read it here. https://dailysciencefiction.com/fantasy/Monsters/susan-taitel/ten-secret-things-you-dont-know-about-closet-monster
It is the shortest story I have ever had published and simultaneously the longest title.
The Rose Sisterhood was published on Cast of Wonders today! It’s available in both print and audio format. I really love the narrator’s performance. Please go and check it out!
Just a quick update. Two of my stories will be coming out in the next few months.
The Rose Sisterhood will be published in Cast of Wonders, tentatively scheduled for December 2019
Deadbeat is scheduled for January of 2020 from Cossmass Infinities!
So watch this blog for the links!
I get to announce that I have a story forthcoming from Galaxy’s Edge Magazine! As of yet I do not know what issue it will be in or when it will be published. I will definitely be linking to it when it comes out.
The story in question, Cat Lady, was written during my time at Viable Paradise, though it’s been revised a few times since. It’s my first professional sale and I shed a few tears when I opened the acceptance email. If you’re curious about what qualifies a market as pro, semipro, or token the SFWA has a guide here. The gist of it is it depends on how much the market pays, how long they’ve been publishing, and how big of a readership they have.
I have been submitting my stories to pro markets since 2015 and have racked up over a 100 rejections split between 7 stories. Cat Lady was rejected 17 times before Galaxy’s Edge accepted it. That is about average from my understanding. There were several times I felt I was so close to making a pro sale and other times when it seemed like the impossible dream. This doesn’t mean that I won’t get any more rejections, in fact I’ve gotten 3 in time the since. But it’s one more hurtle cleared. I get to call myself a professional. Even if never sell another story I will always have one professional credit to my name. I’m tempted to order a little pin or plaque to remind myself of that, but I think having the issue in my hands will be enough.
In other news, in a few short weeks I’ll be attending 4th Street Fantasy Convention for the second time. A few of my favorite people in the world will also be there and I can’t wait to see them all again. And celebrate the hurdles they’ve cleared since we last saw each other.
Finally, here we have another Fraggle. For such simple designs they really are hard to capture in 2D.
This October I attended the Viable Paradise workshop on Martha’s Vineyard. It was incredible. I learned so much and bonded with my class of fellow authors. I feel like I could write thousands of words and not really capture the feel of it. So instead I’ll post some photos.
First is the class photo with the instructors. I love everyone in this picture. Except for Jamie. (He knows what he did.)
Kind of cool fun fact, 19 of the 24 students this year were women. I am so proud to have been a part of this class. Pay attention to these names, you will be seeing them in magazines and bookstore shelves not too long from now.
In other news: Martha’s Vineyard is gorgeous. I did a terrible job capturing it. As shown here.
My classmates Fred G. Yost and Karen Osborne did a much better job.
See? So pretty! Also shockingly like Stars Hollow.
And here are a couple of mementos I came away with.
That would be a pile of feedback for my submission novella.
Not shown: a newly written story, an idea for another, a mug, a tee shirt, and a green rubber snake.
So to wrap up I would 100% recommend Viable Paradise to all aspiring spec-fic writers.
And here is a video taken last month of me reading the beginning of my novella at Word Brew 2016 (while wearing my VP shirt).
I’ve been rewatching Gilmore Girls recently. I started before the announcement of the revival because I had the DVDs and hadn’t seen it since it first aired. I was doing a season every few months but sped up once Netflix declared a November release date for the new series. Watching so many episodes in such a short time, I’ve noticed a few things that I didn’t the first time around.
I relate to Paris more than is probably healthy. Rory’s hair is almost always fantastic. Lorelai’s hair alternates between fantastic and highly questionable.
Rory’s boyfriends were all horrible. Seriously Logan Huntzberger is the walking embodiment of white privilege with the added bonus of being a master in the art of gaslighting. Fuck that guy.
On a very tangential tangent, in an episode I just watched, Hamilton’s Leslie Odom Jr. popped up in a tiny role as the editor of Princeton’s newspaper who participated in a panel about college papers with Rory. He has two lines and is referred to as Pompous Princeton Guy. And he is sooooo superior to all of Rory’s canonical love interests! I now only want him to return and sweep her off her feet. Dean, Jess, and Logan need never be seen again. Okay, I’ll allow Jess to appear but only because he’s important to Luke and he’s the only one of the three to have a little positive character development. But anyway Rory + Burr now and forever! Wouldn’t proud DAR member Emily be delighted? Even if he is a villain in our history books.
The elder Gilmores can be infuriating, but it’s hard to hate them. And seeing Emily as a widow is going to be intense.
Lane’s season seven plot is so egregious it makes me wonder if Keiko Agena did something unspeakable to one of the writers’ dogs in real life?
But the thing I need to talk about, the thing that makes me trepidatious about the new episodes is that there are a lot of gay and fat jokes. I texted my sister about it the other night. I going to paste parts of our conversation below since I articulated most of what was bothering me. Also, I’m lazy.
Let’s pause here. As I said the gay jokes tend to be in the vein that the concept of homosexuality is inherently funny. There isn’t any sense that the people making the jokes think gay people are disgusting or unnatural. But references to anything related to queer culture is treated like a punchline.
Pajiba actually ran a think piece on the subject in 2015 that I found while looking for examples. The full article can be found here. The following quote pretty much sums up my thoughts on the tone of the jokes and my reaction to them.
“But I’m not here to review the show (though I’ll toss out the obligatory flashing of Gilmore gang tattoos by declaring that I’m 100% Team Jess), I just wanted to throw out an oddity I noticed. That show has at least every couple of episodes a throwaway gay joke that is just flat uncomfortable. None of them are particularly offensive, in fact all of them are basically the same joke: guys without girlfriends are obviously closeted gays. Joke that Luke has a date after years of not, well good for him, people were starting to talk, HAHAHAHA. Town dysfunctional Kurt manages to get a girlfriend, nice, because you know what people were starting to think, HAHAHAHA.
I’m certainly not trying to slam the show as homophobic, but it’s a fascinating example of how that slow movement of what is culturally acceptable happens without us even noticing. It’s one thing to point out that James Bond was a misogynistic douche in movies made fifty years ago. That seems enough time for us to recognize that times and culture change. But Gilmore Girls is barely a decade old, so being able to pick up on the way that shift has slowly happened is intriguing. …But what’s interesting about noticing it in the annals of Stars Hollow is that it’s not special, it’s just the passing and casual jokes.
I remember it being that way, and most of you probably do, too. At one point, those jokes were funny. Now they’re not. They’re uncomfortable because you realize they’re hurtful, even if people then didn’t find them that way.”
The fat jokes are worse in my opinion because they do often equate fat with gross or pitiful. There are a few overweight characters on the show, and to its credit, the fat jokes are never directed at them. When the show pokes fun at Lorelai’s best friend and business partner Sookie, it’s about her quirkiness or that she’s easily distracted. Not about her weight. If they make a joke at the expense of dance teacher Miss Patty it’s about her past as a showgirl or her taste for younger men. If they’re going to make fun of Taylor the town’s resident bureaucrat and boy do they ever, it’s because he’s a control freak and borderline megalomaniac. It’s not about weight. It’s almost like the characters are multifaceted and can’t be reduced to a single physical attribute. It’s one of the reasons I really love the show.
Full disclosure I identify as bi and physically I am a lot closer to Sookie or Babette or Ceaser the Second than I am to Lorelai or Rory. If that makes me more sensitive to these types of jokes, so be it.
Despite not fat shaming their characters, the writers still go for the fat jokes. They just aim them at people who don’t appear on camera. Like celebrities or random people they run into offscreen. I haven’t been cataloging the jokes but one from an episode I watched a not too long ago went something like this.
Lorelai and Luke return to the diner after a day at the mall. Lorelai looks into a shopping bag and says “What’s this?” displaying something pink and silky. Luke says “it’s the underwear you bought.” Lorelai feigns offense and shows a pair panties to him and the audience. They are large and unflattering. Luke says he didn’t notice the size and they speculate that they switched bags with another woman at the store. If that were the end of it, it would be about the same level of dated and awkward as the gay jokes. But it doesn’t stop there. Lorelai continues to pretend outrage at being mistaken for a fat person and goes on and on about how sad the woman was, implying that she’s a lonely spinster with too many cats. Based only on the fact that she is fat and I think a cat related bumper sticker. Is it obvious Lorelai is joking and not really angry at almost being called fat? Yes. But it’s still a good three or four minutes of fat shaming, presented as charming banter.
And it looks like I’m not the only one to pick up on it this time around. I found this article on Bustle while again searching for examples.
Okay back to the texts.
I meant Melissa McCarthy, not McCartney.
I doubt the revival will make Melissa McCarthy jokes unless it’s a winking “How about that all female Ghostbusters remake?” But I can see them making “harmless” fat jokes about Rebel Wilson or Gabourey Sidibe or Lea DeLaria. At least they would during the show’s original run. My hope is they won’t in the upcoming Netflix series.
When I say it wasn’t as progressive as those other shows I mean that I don’t recall them casually tossing off fat jokes in the same manner. Though I haven’t rewatched them quite as recently so I could be misremembering.
However, those shows didn’t feature any important characters that weren’t Hollywood’s default body type. So in that way, Gilmore Girls was the more progressive show. In fact, they’re still way ahead in that respect. I can’t think of a single current CW show (Gilmore’s former network) with a fat character in the cast. Vampire Diaries? No. The Berlanti DCverse? Don’t watch all of them but I don’t think so. Not Supernatural either. The closest I can come up with is Jane from Jane the Virgin while she was pregnant. Which does not count at all. At least I hope most people would not count pregnant as a fat. Nope Gilmore Girls was definitely and sadly ahead of the curve not just by portraying fat people as complex, interesting people, but by even acknowledging their existence.
By the way, Orange is the New Black is a great example of a show featuring people but mostly woman of all shapes and sizes. And it’s a huge hit. So now Hollywood has to admit that not-skinny people exist! They’re just all in prison!
So that’s the crux of my worries about the revival. I love the show. I loved it back then, and I’m thrilled to be getting more. I’m eager to see Luke and Lorelai reunite. Because c’mon they have to. I want to know how Emily is coping without Richard. How Rory’s writing is going. How many more careers Kirk has collected. Heck, I’m even curious whether Paul Anka the dog conquered his many neuroses. But I worry that with all the expectations creator Amy Sherman Palladino will either A) not be aware that attitudes have changed since the show went off the air. Or B) will feel that doing anything differently will be a betrayal to the fans.
I don’t want new episodes of Gilmore Girls that feel like they were written in 2006. Even if it would be the best show of 2006. And Gilmore Girls possibly was the best show of 2006. I want fantastic episodes of Gilmore Girls written, produced, and aired right now.
I’m still prepared to follow where the Gilmore Girls lead, just not quite as blithely as I was before revisiting the show.
Finally, mosquitos are the worst and I need them to stop.
And on that note. I’m done.
Alright, this post contains spoilers for the Star Wars Episode 7. It also contains a theory that I feel is pretty solid so could be a spoiler for future episodes. You have been warned.
After seeing Star Wars: the Force Awakens last December I felt pretty confident I knew who Rey was and why and how she’d been abandoned on an isolated desert planet. The clues were all there in the film.
Since then I’ve seen many theories. Several match mine in part, but not entirely. So I thought I’d put it out there.
I believe Rey is Luke’s daughter. Which isn’t much of a stretch. She is strong in the force. His lightsaber chooses her. She’s a gifted pilot. Visually she’s his echo in her costume and the environment we originally see her in. They end the film face to face with Skywalker hero music swelling. Plenty of people have come to the same conclusion.
(Though some think she’s Han and Leia’s daughter, and others think Obi Wan’s granddaughter. I think Luke makes the most sense. Other people really want her not to be a Skywalker or Solo because why does the hero always have to be from one bloodline? I somewhat agree but it’s Star Wars and why else make such mystery of who her parents are? Besides, we’ve got Finn and Poe as our non-Skywalker heroes).
All the other theories I’ve seen conclude that Rey was left/hidden on Jaaku to keep her safe. Some say by Luke, others by her Aunt Leia, others by her as yet unidentified mother. This is where my theory differs.
What we know for sure is that Rey at the age of 3 or 4 was left on a remote planet in the hands of a scavenger. She remembers a ship flying away as she screamed for it to come back and not to leave her. She seems to have grown up on her own, with no one looking after her. Her memories before arriving on Jaaku are pretty much nonexistent, but she believes that the person who left her there was family. And she clings to the belief they will come back.
I find it very hard to believe that anyone who cared about little Rey would’ve thought leaving her to be raised by an uncaring scavenger/merchant, or alternatively raise herself was the safe option. Though it does seem to have worked out.
He did not strike me as a loving foster father.
So here’s my theory. I’ve not looked everywhere so it’s possible someone has already come up with this. It’s based only on evidence in the movie. I’ve thought this since I first left the theater and it still feels right.
Luke has a daughter with someone. I have no theory on who. Things are idyllic for a few years; he’s busily training his new class of Jedi. His daughter, who is probably not named Rey, shows signs of being strong in the force, and he has plans to start training her in a year or two.
Then Leia sends her son Ben to Luke to train. She’s worried because he is drawn to the dark side. Especially troubling is his deification of Grandpa Vader. She believes only Luke can bring him back to the light. Han firmly disagrees, causing a rift between them. None of them know that Ben has already been recruited and is being corrupted by the Sith, Commander Snoke.
To complete Ben’s turn to the dark side, he’s ordered to kill all the potential Jedi, just as his grandfather did before him. He joins the Knights of Ren, taking the name Kylo Ren. It’s worth noting that the only time we see the Knights of Ren in the entire movie is during Rey’s vision.
In fairness, this could be a vision of the future and not the past.
So Kylo and the Knights of Ren kill all of Luke’s students. Kylo then goes to kill the lone remaining future Jedi, his little cousin. He kills her mother and comes close to killing her. But as we’ve seen in the movie, the light side still has a hold on him, and he can’t do it.
So he grabs her, steals a ship, and dumps her on Jaaku, believing she’s as good as dead. And is at least out of his way. He tells his master he killed her.
Kylo is the family she screaming at to come back. A four-year-old who’s seen her mother murdered and has been left to fend for herself could easily forget her past.
Meanwhile Luke comes back from wherever he was when all this went down. He sees the aftermath of a massacre and believes his daughter was killed by his nephew along with her mother and all his students. Despondent, he disappears to atone for his failure as Jedi, teacher, uncle, and father.
(It makes more sense to me that he’d disappear thinking his daughter was dead rather than him knowing she survived and dropping her in the desert before going off to sulk.)
Han and Leia split after learning what their son has done and what he’s become. Each feeling they made the wrong choices and are unworthy of the other.
There are a few moments in the film that back this up that I haven’t mentioned yet.
The first is when the stormtroopers report to Kylo Ren that they traced the droid with the maps to Luke to Jaaku but they lost it again because of a girl. What does Kylo do on hearing about the girl from Jaaku? He flips his shit.
And when his team arrives at Maz Kanata’s castle, who does he capture? Not the droid the First Order has been chasing for the first half of the movie. Not his father who he hates. But Rey. The cousin he failed to kill.
There’s also the matter of Han and Rey’s apparent connection. Sure he could just be admiring the scrappy kid with the excellent piloting skills and an affinity for his beloved Falcon. But there are a couple of moments he seems choked up when talking to her.
Some people take this as an indication that he realizes she is his long lost daughter. I’m not buying it. He and Leia discuss their fallen son but never mention any other children. Even if it’s a painful subject, you’d think it’d come up. After all, their whole conversation is painful subjects.
I think he’s recognizing certain traits in her that remind him of his old pal/brother in law. Plus he probably would’ve known the mother of Luke’s child, and could be reminded of her as well. He sees that Rey may be the child he thought his son had murdered decades ago. Maybe his son isn’t as lost as he thought. What does he do next? Volunteer for a mission that’ll put him right in the path of his son.
So that’s my theory. We’ll have to wait until 2018 to find out if I’m even close.