Publication Day: Choosing

I have a story out in Baffling magazine today. It might feel familiar to fans of The Little Mermaid.

But more familiar if you know the original Hans Christian Andersen story.

https://www.bafflingmag.com/issue-four/2021/7/1/choosing

And while you’re there check out the rest of the issue! Baffling is a relatively new magazine and they are putting out incredibly compelling work. I hope they develop a good following.

Story out today!

I woke up to find my story Ten Secret Things You Don’t Know About Closet Monster was published on Daily Science Fiction. Read it here. https://dailysciencefiction.com/fantasy/Monsters/susan-taitel/ten-secret-things-you-dont-know-about-closet-monster

It is the shortest story I have ever had published and simultaneously the longest title.

via GIPHY

I’m a Professional!

I get to announce that I have a story forthcoming from Galaxy’s Edge Magazine! As of yet I do not know what issue it will be in or when it will be published. I will definitely be linking to it when it comes out.

The story in question, Cat Lady, was written during my time at Viable Paradise, though it’s been revised a few times since. It’s my first professional sale and I shed a few tears when I opened the acceptance email. If you’re curious about what qualifies a market as pro, semipro, or token the SFWA has a guide here. The gist of it is it depends on how much the market pays, how long they’ve been publishing, and how big of a readership they have.

I have been submitting my stories to pro markets since 2015 and have racked up over a 100 rejections split between 7 stories. Cat Lady was rejected 17 times before Galaxy’s Edge accepted it. That is about average from my understanding. There were several times I felt I was so close to making a pro sale and other times when it seemed like the impossible dream. This doesn’t mean that I won’t get any more rejections, in fact I’ve gotten 3 in time the since. But it’s one more hurtle cleared. I get to call myself a professional. Even if never sell another story I will always have one professional credit to my name. I’m tempted to order a little pin or plaque to remind myself of that, but I think having the issue in my hands will be enough.

In other news, in a few short weeks I’ll be attending 4th Street Fantasy Convention for the second time. A few of my favorite people in the world will also be there and I can’t wait to see them all again. And celebrate the hurdles they’ve cleared since we last saw each other.

Finally, here we have another Fraggle. For such simple designs they really are hard to capture in 2D.

A Song of Ice and Data Plans Part 1: Love Westerosi Style

I wrote a GOT parody.

SPOILER WARNING for Game of Thrones through season 7 finale. Please do not yell at me if you get spoiled.

 

Ready?

 

 

 

 

 

 

I could not resist.

Unfortunately, the format makes it impossible to edit any errors, but hey that’s texts for you.

There will be a part 2.

Lots of photos plus a video.

This October I attended the Viable Paradise workshop on Martha’s Vineyard. It was incredible. I learned so much and bonded with my class of fellow authors. I feel like I could write thousands of words and not really capture the feel of it. So instead I’ll post some photos.

First is the class photo with the instructors. I love everyone in this picture. Except for Jamie. (He knows what he did.)

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Kind of cool fun fact, 19 of the 24 students this year were women. I am so proud to have been a part of this class. Pay attention to these names, you will be seeing them in magazines and bookstore shelves not too long from now.

In other news: Martha’s Vineyard is gorgeous. I did a terrible job capturing it. As shown here.

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My classmates Fred G. Yost and Karen Osborne did a much better job.

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See? So pretty! Also shockingly like Stars Hollow.

And here are a couple of mementos I came away with.

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That would be a pile of feedback for my submission novella.

Not shown: a newly written story, an idea for another, a mug, a tee shirt, and a green rubber snake.

So to wrap up I would 100% recommend Viable Paradise to all aspiring spec-fic writers.

 

And here is a video taken last month of me reading the beginning of my novella at Word Brew 2016 (while wearing my VP shirt).

 

 

On the inevitable danger of revivals. Or, Oh god Gilmore Girls please be good!

I’ve been rewatching Gilmore Girls recently. I started before the announcement of the revival because I had the DVDs and hadn’t seen it since it first aired. I was doing a season every few months but sped up once Netflix declared a November release date for the new series. Watching so many episodes in such a short time, I’ve noticed a few things that I didn’t the first time around.

I relate to Paris more than is probably healthy. Rory’s hair is almost always fantastic. Lorelai’s hair alternates between fantastic and highly questionable.

Rory’s boyfriends were all horrible. Seriously Logan Huntzberger is the walking embodiment of white privilege with the added bonus of being a master in the art of gaslighting. Fuck that guy.

On a very tangential tangent, in an episode I just watched, Hamilton’s Leslie Odom Jr. popped up in a tiny role as the editor of Princeton’s newspaper who participated in a panel about college papers with Rory. He has two lines and is referred to as Pompous Princeton Guy. And he is sooooo superior to all of Rory’s canonical love interests! I now only want him to return and sweep her off her feet. Dean, Jess, and Logan need never be seen again. Okay, I’ll allow Jess to appear but only because he’s important to Luke and he’s the only one of the three to have a little positive character development. But anyway Rory + Burr now and forever! Wouldn’t proud DAR member Emily be delighted? Even if he is a villain in our history books.

The elder Gilmores can be infuriating, but it’s hard to hate them. And seeing Emily as a widow is going to be intense.

Lane’s season seven plot is so egregious it makes me wonder if Keiko Agena did something unspeakable to one of the writers’ dogs in real life?

But the thing I need to talk about, the thing that makes me trepidatious about the new episodes is that there are a lot of gay and fat jokes. I texted my sister about it the other night. I going to paste parts of our conversation below since I articulated most of what was bothering me. Also, I’m lazy.

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Let’s pause here. As I said the gay jokes tend to be in the vein that the concept of homosexuality is inherently funny. There isn’t any sense that the people making the jokes think gay people are disgusting or unnatural. But references to anything related to queer culture is treated like a punchline.

Pajiba actually ran a think piece on the subject in 2015 that I found while looking for examples. The full article can be found here. The following quote pretty much sums up my thoughts on the tone of the jokes and my reaction to them.

“But I’m not here to review the show (though I’ll toss out the obligatory flashing of Gilmore gang tattoos by declaring that I’m 100% Team Jess), I just wanted to throw out an oddity I noticed. That show has at least every couple of episodes a throwaway gay joke that is just flat uncomfortable. None of them are particularly offensive, in fact all of them are basically the same joke: guys without girlfriends are obviously closeted gays. Joke that Luke has a date after years of not, well good for him, people were starting to talk, HAHAHAHA. Town dysfunctional Kurt manages to get a girlfriend, nice, because you know what people were starting to think, HAHAHAHA.
I’m certainly not trying to slam the show as homophobic, but it’s a fascinating example of how that slow movement of what is culturally acceptable happens without us even noticing. It’s one thing to point out that James Bond was a misogynistic douche in movies made fifty years ago. That seems enough time for us to recognize that times and culture change. But Gilmore Girls is barely a decade old, so being able to pick up on the way that shift has slowly happened is intriguing. …But what’s interesting about noticing it in the annals of Stars Hollow is that it’s not special, it’s just the passing and casual jokes.
I remember it being that way, and most of you probably do, too. At one point, those jokes were funny. Now they’re not. They’re uncomfortable because you realize they’re hurtful, even if people then didn’t find them that way.”

The fat jokes are worse in my opinion because they do often equate fat with gross or pitiful. There are a few overweight characters on the show, and to its credit, the fat jokes are never directed at them. When the show pokes fun at Lorelai’s best friend and business partner Sookie, it’s about her quirkiness or that she’s easily distracted. Not about her weight. If they make a joke at the expense of dance teacher Miss Patty it’s about her past as a showgirl or her taste for younger men. If they’re going to make fun of Taylor the town’s resident bureaucrat and boy do they ever, it’s because he’s a control freak and borderline megalomaniac. It’s not about weight. It’s almost like the characters are multifaceted and can’t be reduced to a single physical attribute. It’s one of the reasons I really love the show.

Full disclosure I identify as bi and physically I am a lot closer to Sookie or Babette or Ceaser the Second than I am to Lorelai or Rory. If that makes me more sensitive to these types of jokes, so be it.

Despite not fat shaming their characters, the writers still go for the fat jokes. They just aim them at people who don’t appear on camera. Like celebrities or random people they run into offscreen. I haven’t been cataloging the jokes but one from an episode I watched a not too long ago went something like this.

Lorelai and Luke return to the diner after a day at the mall. Lorelai looks into a shopping bag and says “What’s this?” displaying something pink and silky. Luke says “it’s the underwear you bought.” Lorelai feigns offense and shows a pair panties to him and the audience. They are large and unflattering. Luke says he didn’t notice the size and they speculate that they switched bags with another woman at the store. If that were the end of it, it would be about the same level of dated and awkward as the gay jokes. But it doesn’t stop there. Lorelai continues to pretend outrage at being mistaken for a fat person and goes on and on about how sad the woman was, implying that she’s a lonely spinster with too many cats. Based only on the fact that she is fat and I think a cat related bumper sticker. Is it obvious Lorelai is joking and not really angry at almost being called fat? Yes. But it’s still a good three or four minutes of fat shaming, presented as charming banter.

And it looks like I’m not the only one to pick up on it this time around. I found this article on Bustle while again searching for examples.

Okay back to the texts.

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I meant Melissa McCarthy, not McCartney.

I doubt the revival will make Melissa McCarthy jokes unless it’s a winking “How about that all female Ghostbusters remake?” But I can see them making “harmless” fat jokes about Rebel Wilson or Gabourey Sidibe or Lea DeLaria. At least they would during the show’s original run. My hope is they won’t in the upcoming Netflix series.

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When I say it wasn’t as progressive as those other shows I mean that I don’t recall them casually tossing off fat jokes in the same manner. Though I haven’t rewatched them quite as recently so I could be misremembering.

However, those shows didn’t feature any important characters that weren’t Hollywood’s default body type. So in that way, Gilmore Girls was the more progressive show. In fact, they’re still way ahead in that respect. I can’t think of a single current CW show (Gilmore’s former network) with a fat character in the cast. Vampire Diaries? No. The Berlanti DCverse? Don’t watch all of them but I don’t think so. Not Supernatural either. The closest I can come up with is Jane from Jane the Virgin while she was pregnant. Which does not count at all. At least I hope most people would not count pregnant as a fat. Nope Gilmore Girls was definitely and sadly ahead of the curve not just by portraying fat people as complex, interesting people, but by even acknowledging their existence.

By the way, Orange is the New Black is a great example of a show featuring people but mostly woman of all shapes and sizes. And it’s a huge hit. So now Hollywood has to admit that not-skinny people exist! They’re just all in prison!

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So that’s the crux of my worries about the revival. I love the show. I loved it back then, and I’m thrilled to be getting more. I’m eager to see Luke and Lorelai reunite. Because c’mon they have to. I want to know how Emily is coping without Richard. How Rory’s writing is going. How many more careers Kirk has collected. Heck, I’m even curious whether Paul Anka the dog conquered his many neuroses. But I worry that with all the expectations creator Amy Sherman Palladino will either A) not be aware that attitudes have changed since the show went off the air. Or B) will feel that doing anything differently will be a betrayal to the fans.

I don’t want new episodes of Gilmore Girls that feel like they were written in 2006. Even if it would be the best show of 2006. And Gilmore Girls possibly was the best show of 2006. I want fantastic episodes of Gilmore Girls written, produced, and aired right now.

I’m still prepared to follow where the Gilmore Girls lead, just not quite as blithely as I was before revisiting the show.

Finally, mosquitos are the worst and I need them to stop.

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And on that note. I’m done.